In The Dug-Up Gun Museum, Matt Donovan is anthropologist, empath, parent, skeptic, participant-observer, critic, and mourner, as he takes us on a riveting tour (and indictment) of America’s gun culture. These profoundly moving and wildly expansive documentary poems travel through NRA Headquarters, Emergency Rooms, school hallways, memorials, museums, battle reenactments, police test-firing ranges, crime scenes, and historical sites searching for answers to an elusive question: how can this country be as hypervigilant as it is careless when it comes to lives of its citizens? With equal parts curiosity, grief, and rage, Donovan limns a clear-eyed hymn to one of the most pressing national issues of our time.
— Erika Meitner, author of Useful Junk
Matt Donovan’s The Dug Up Gun Museum should be required reading and at the center of any conversation concerning 2nd Amendment rights. Unlike most of these conversations, though, Donovan’s collection is complex, nuanced, and is not at all shy about cutting to the heart of the matter. In verse, prose poems, and lyric essays, Donovan holds up a mirror to America, so that we may, as Yusef Komunyakaa once wrote, “see and know the terror we are made of.”
— John Murillo, author of Kontemporary Amerikan Poetry
In The Dug-Up Gun Museum, Matt Donovan unearths and deconstructs that icon of material culture in the haunted museum that is American culture—the gun. Awhirl with pop cultural references and inhabiting an array of forms, from documentary poetry to poems that teeter on essay to the lush anaphoric spillage of the title poem, Donovan disinters, bravely, the gun fetish at our core, where “the slash of police tape…is the only horizon / that matters just now,” and even the night sky is “a black cloth riddled with holes.” I am moved by the speaker’s anger, his fear, and his tenderness. In his tenacious witnessing of the ultimate mechanism of invulnerability, he makes himself vulnerable.
— Diane Seuss, author of frank: sonnets